Cultural connotation levelFrom many angles, "falling red is not a heartless thing, but turning into spring mud is more protective of flowers" all shows high artistic value, deep thinking and far-reaching influence. It is like a bright pearl in a literary treasure house, shining with wisdom and spiritual brilliance, which deserves people's repeated taste and in-depth understanding.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.
-The meaning is profound and unique: "Turning into spring mud is more protective of flowers", which shows that the fallen flowers do not fall without feelings. Even if they fall into mud, they should turn into spring mud that nourishes the growth of flowers, continue to protect and cultivate new flowers to bloom, show a noble feeling of selfless dedication and self-sacrifice, and at the same time convey the profound philosophy that although life has an end, spirit and value can be continued and transformed.From many angles, "falling red is not a heartless thing, but turning into spring mud is more protective of flowers" all shows high artistic value, deep thinking and far-reaching influence. It is like a bright pearl in a literary treasure house, shining with wisdom and spiritual brilliance, which deserves people's repeated taste and in-depth understanding.-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.
In a word, the poem "Falling red is not a heartless thing, but turning into spring mud will protect flowers more" is like a bright lamp, which illuminates the direction for us on the road of inspiration and inspires us to face life with a positive and optimistic attitude, dedication and persistence at all stages of life, to create our own wonderful things, and to make life bloom with eternal brilliance in the ever-changing value.-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:
Strategy guide 12-14
Strategy guide
12-14